Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Gustavus Hesselius
Lapowinsa

ID: 90441

Gustavus Hesselius Lapowinsa
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Gustavus Hesselius Lapowinsa


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Gustavus Hesselius

(1682 - May 25, 1755) was a Swedish born painter who emigrated to the New World in 1711. He was the father of painter John Hesselius and cousin of the religious leader Emanuel Swedenborg. Hesselius left his home country of Sweden for Wilmington, Delaware in 1711. There he lived until 1717 when he moved to Philadelphia, Pennsylvania, where he lived until 1721. In 1721, he moved to Prince George's County, Maryland and became a portrait painter, though he had been trained in Sweden. That same year, he received the first recorded public art commission in the American colonies, he painted The Last Supper. He also painted a Crucifixion. Some time around 1735, Hesselius returned to Philadelphia where spent the rest of his life and traveling. He was listed as a member of the Gloria Dei (Old Swedes') Church in Philadelphia. He also worked as an organ builder, having built an organ for the Moravian Church in Bethlehem, Pennsylvania in 1746. From about this time on, he focused on building organs, referring painting commissions to his son John. J. Hall Pleasants has said that Hesselius became "America's earliest portrait painter of note." In 1994 he was named to the Prince George's County Hall of Fame.   Related Paintings of Gustavus Hesselius :. | Dans le Jardin au Havre | Santa Maria Formosa Venice | La Grande Jatte | Self Portrait QE | Flock of sheep at pasture |
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Jan Veth
(18 May 1864 Dordrecht - 1 July 1925 Amsterdam), was a Dutch painter, poet, art critic and university lecturer. Jan Veth was the son of Gerradus Huibert Veth, a Dordrecht iron merchant and liberal politician, and Anna Cornelia Giltay. On his mother's side he descended from the Dordrecht painter family of Van Strij (his mother was a granddaughter of Jacob van Strij). He married Anna Dorothea Dirks on 10 August 1888, from which marriage came five children. Veth received his art education at the Rijksakademie voor Beeldende Kunsten in Amsterdam. With several of his fellow students he founded the St. Luke group. From 1885 he worked with the painter Anton Mauve in Laren. After his marriage in 1888 he settled in Bussum. Jan Veth is especially noted as a portrait painter. Amongst his sitters were Max Liebermann, Lambertus Zijl, Frank van der Goes, Antoon Derkinderen and other contemporaries including various fellow painters. In addition he was a well-known poet, belonging to the Eighties movement and publishing work in the De Nieuwe Gids. He designed the cover for "De Kleine Johannes", a book written by his friend, Frederik van Eeden, contributing to the development of book-art in Holland. As Professor Extraordinary in History of Art and Aesthetics, he was associated with the Rijksakademie voor Beeldende Kunsten in Amsterdam.
Muenier, Jules-Alexis
French Academic Painter, 1863-1942
George Scharf
1820-1895 British art critic, was born in London, the son of George Scharf, a Bavarian miniature painter who settled in England in 1816 and died in 1860. He studied in the schools of the Royal Academy. In 1840 he accompanied Sir Charles Fellows to Asia Minor, and in 1843 acted as draughtsman to a government expedition to the same country. After his return he devoted himself with great industry and success to the illustration of books relating to art and antiquity, of which the best known are Macaulay's Lays of Ancient Rome (1847); Milman's Horace, (1849); Kugler's Handbook of Italian Painting (1851); and Dr Smith's classical dictionaries. He also engaged largely in lecturing and teaching, and took part in the formation of the Greek, Roman and Pompeian courts at the Crystal Palace. He acted as art secretary to the great Manchester Art Treasures Exhibition of 1857, and in that year was appointed secretary and director to the newly founded National Portrait Gallery. The remainder of his life was given to the care of that institution. Scharf acquired an unrivalled knowledge of all matters relating to historic portraiture, and was the author of many learned essays on the subject. In 1885






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